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GREECE
With well over a hundred inhabited islands
and a territory that stretches from the south
Aegean to the Balkan countries, Greece offers
enough to fill months of travel. The historic
sites span four millennia, encompassing both the
legendary and the obscure, where a visit can still
seem like a personal discovery. Beaches are parcelled
out along a convoluted coastline equal to France's
in length, and islands range from backwaters where
the boat calls twice a week to resorts as cosmopolitan
as any in the Mediterranean. Modern Greece is
the result of extraordinarily diverse influences.
Romans, Arabs, Latin Crusaders, Venetians, Slavs,
Albanians, Turks, Italians, not to mention the
Byzantine Empire, have been and gone since the
time of Alexander the Great. All have left their
mark: the Byzantines in countless churches and
monasteries; the Venetians in impregnable fortifications
in the Peloponnese; and other Latin powers, such
as the Knights of Saint John and the Genoese,
in imposing castles across the northeastern Aegean.
Most obvious is the heritage of four centuries
of Ottoman Turkish rule which, while universally
derided, contributed substantially to Greek music,
cuisine, language and way of life. Significant,
and still-existing, minorities – Vlachs, Muslims,
Catholics, Jews, Gypsies – have also helped to
forge the hard-to-define but resilient Hellenic
identity, which has kept alive the people's sense
of themselves throughout their turbulent history.
With no local ruling class or formal Renaissance
period to impose superior models of taste or patronize
the arts, medieval Greek peasants, fishermen and
shepherds created a vigorous and truly popular
culture, which found expression in the songs and
dances, costumes, embroidery, carved furniture
and the white Cubist houses of popular imagination.
During the last few decades much of this has disappeared
under the impact of Western consumer values, relegated
to museums at best, but recently the country's
architectural and musical heritage in particular
have undergone a renaissance, with buildings rescued
from dereliction and performers reviving, to varying
degrees, half-forgotten musical traditions.
Of course there are formal cultural activities
as well: museums that shouldn't be missed, magnificent
medieval mansions and castles, as well as the
great ancient sites dating from the Neolithic,
Bronze Age, Minoan, Classical, Hellenistic, Roman
and Byzantine eras. Greece hosts some excellent
summer festivals too, bringing international theatre,
dance and musical groups to perform in ancient
theatres, as well as castle courtyards and more
contemporary venues in coastal and island resorts.
But the call to cultural duty will never be too
overwhelming on a Greek holiday.
The hedonistic pleasures of languor and warmth
– going lightly dressed, swimming in balmy seas
at dusk, talking and drinking under the stars
– are just as appealing. And despite recent improvements
to the tourism "product", Greece is still essentially
a land for adaptable sybarites, not for those
who crave orthopedic mattresses, faultless plumbing,
Cordon-Bleu cuisine and attentive service. Except
at the growing number of luxury facilities in
new or restored buildings, hotel and pension rooms
can be box-like, campsites offer the minimum of
facilities, and the food at its best is fresh
and uncomplicated.
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